56 Unspoken Harmonies

Maxwell had crafted two new songs for his upcoming concert, dedicated to Emma’s freedom from her tumultuous marriage. When Tom reviewed the lyrics, he expressed concern.

“These songs celebrate Emma’s divorce, but the lyrics are quite direct. Referring to her ex–husband as a ‘beast‘ seems excessive, don’t you think?” Tom questioned cautiously.

Maxwell, unfazed, replied firmly, “I’m making a point. If you’re on my side, don’t question it. These songs are meant to make a statement. Keep your doubts to yourself.”

Tom knew arguing with Maxwell was futile. Maxwell’s determination often bordered on

stubbornness, and the controversial lyrics worried him.

“What’s your plan for the music? Are you going to compose it yourself or involve someone else?”

Maxwell revealed, “I want Emma to compose the music. Her previous compositions were impressive, so she’s the right choice for these. Any problem with that?”

with such pointed lyrics seemed like an unnecessarily harsh approach.

days later, Emma called Tom, perplexed by

change these lyrics? They’re quite bold considering our past,” Emma said, struggling to reconcile the idea of composing music for such content.

implications, replied, “If you can convince Maxwell to reconsider, I’d appreciate it. He won’t listen to me. It might be best

challenge but ultimately deciding to proceed with the compositions. If it helped Maxwell release his pent–up anger and

with Emma dedicating two

the situation, “I can’t believe Maxwell has you doing this! It’s quite the twist, isn’t

concert to be anything but

considered talking him out

replied, “but honestly, the lyrics

of Emma’s childhood friends. Viola and Desmond, twins, had left abruptly years ago, and their return was

their return, “They left without saying goodbye, and

56 Unspoken Harmonies

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