56 Unspoken Harmonies

Maxwell had crafted two new songs for his upcoming concert, dedicated to Emma’s freedom from her tumultuous marriage. When Tom reviewed the lyrics, he expressed concern.

“These songs celebrate Emma’s divorce, but the lyrics are quite direct. Referring to her ex–husband as a ‘beast‘ seems excessive, don’t you think?” Tom questioned cautiously.

Maxwell, unfazed, replied firmly, “I’m making a point. If you’re on my side, don’t question it. These songs are meant to make a statement. Keep your doubts to yourself.”

Tom knew arguing with Maxwell was futile. Maxwell’s determination often bordered on

stubbornness, and the controversial lyrics worried him.

“What’s your plan for the music? Are you going to compose it yourself or involve someone else?”

Maxwell revealed, “I want Emma to compose the music. Her previous compositions were impressive, so she’s the right choice for these. Any problem with that?”

songs with such pointed lyrics seemed like an unnecessarily harsh

Emma called Tom,

Maxwell doesn’t want to change these lyrics? They’re quite bold considering our past,” Emma said, struggling to reconcile the idea of composing

lyrics‘ implications, replied, “If you can convince Maxwell to reconsider, I’d appreciate it. He won’t

with the compositions. If it helped Maxwell release his pent–up anger and move forward,

Emma dedicating two

humor in the situation, “I can’t believe Maxwell has you

expected the concert to be anything but ordinary, knowing Maxwell’s penchant for the

you considered talking him out

I would,” Emma replied, “but honestly, the lyrics aren’t far from

turned to an upcoming party hosted by Viola and Desmond, two of Emma’s childhood friends. Viola and Desmond, twins, had

was excited about their return, “They left without saying goodbye, and

56 Unspoken Harmonies

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