56 Unspoken Harmonies

Maxwell had crafted two new songs for his upcoming concert, dedicated to Emma’s freedom from her tumultuous marriage. When Tom reviewed the lyrics, he expressed concern.

“These songs celebrate Emma’s divorce, but the lyrics are quite direct. Referring to her ex–husband as a ‘beast‘ seems excessive, don’t you think?” Tom questioned cautiously.

Maxwell, unfazed, replied firmly, “I’m making a point. If you’re on my side, don’t question it. These songs are meant to make a statement. Keep your doubts to yourself.”

Tom knew arguing with Maxwell was futile. Maxwell’s determination often bordered on

stubbornness, and the controversial lyrics worried him.

“What’s your plan for the music? Are you going to compose it yourself or involve someone else?”

Maxwell revealed, “I want Emma to compose the music. Her previous compositions were impressive, so she’s the right choice for these. Any problem with that?”

was taken aback. Having Emma compose music for songs with such pointed lyrics seemed like an unnecessarily harsh

days later, Emma called Tom, perplexed by

change these lyrics? They’re quite bold considering our past,” Emma said, struggling

lyrics‘ implications, replied, “If you can convince Maxwell to reconsider, I’d appreciate it. He won’t listen to

it

was swift, with Emma dedicating

“I can’t believe Maxwell has you doing this! It’s quite the twist, isn’t

unaware of the lyrics‘ details, expected the concert to be anything but ordinary,

talking him out of it?” Jada

thought it would help, I would,” Emma replied, “but honestly, the lyrics

two of Emma’s childhood friends. Viola and Desmond, twins, had

return, “They left without saying goodbye,

56 Unspoken Harmonies

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