56 Unspoken Harmonies

Maxwell had crafted two new songs for his upcoming concert, dedicated to Emma’s freedom from her tumultuous marriage. When Tom reviewed the lyrics, he expressed concern.

“These songs celebrate Emma’s divorce, but the lyrics are quite direct. Referring to her ex–husband as a ‘beast‘ seems excessive, don’t you think?” Tom questioned cautiously.

Maxwell, unfazed, replied firmly, “I’m making a point. If you’re on my side, don’t question it. These songs are meant to make a statement. Keep your doubts to yourself.”

Tom knew arguing with Maxwell was futile. Maxwell’s determination often bordered on

stubbornness, and the controversial lyrics worried him.

“What’s your plan for the music? Are you going to compose it yourself or involve someone else?”

Maxwell revealed, “I want Emma to compose the music. Her previous compositions were impressive, so she’s the right choice for these. Any problem with that?”

compose music for songs with such pointed

Tom, perplexed by

considering our past,” Emma said, struggling to reconcile the idea of composing music for such content.

uneasy about the lyrics‘ implications, replied, “If you can convince Maxwell to reconsider, I’d appreciate

compositions. If it helped Maxwell release his pent–up

Emma dedicating two days to perfect

situation, “I can’t believe Maxwell has you doing this!

to be anything but

considered talking him out of

I would,” Emma replied, “but honestly, the lyrics aren’t

two of Emma’s childhood friends. Viola and Desmond, twins, had left abruptly years ago, and their return

was excited about their return, “They left without saying goodbye, and now

56 Unspoken Harmonies

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