Mr. Villain's Lovely Wife

Chapter 169

Chapter 169

“There will be an auction of paintings, and all proceeds will be donated to an HIV and AIDS charity,” the attendant announced, his voice carrying smoothly through the ballroom. A soft murmur of approval rippled through the crowd as attention turned toward the stage, where an easel stood with a covered canvas.

With a practiced motion, the usherette removed the cloth, revealing the first piece.

“This painting, titled The Silent Requiem, was created by the renowned artist Valeria DuPont. The strokes of deep crimson and soft gold reflect the duality of human struggle–pain and hope, despair and resilience.” The attendant gestured toward the canvas, the dim lighting highlighting the intricate layers of oil paint. “DuPont’s work is known for evoking emotion, and this particular piece is said to have been inspired by letters written by patients fighting the disease.”

A few murmurs spread through the attendees, some already eyeing the painting with interest. The usherette moved to the next easel, leading the small group of guests with her. Most of the women followed while the men remained nearby, engaged in quiet discussions over champagne.

Izzy who standing near the front, glanced at the next painting just as a familiar voice spoke beside her.

“I quite like this one,” Natalia Petrova mused, studying the brushwork on the new piece.

Izzy turned and immediately recognized her. One of Cecil’s friends. They had met before when Cecil had casually. introduced them at a past event. In fact, there were many women in the Gala who were Cecil’s friends and had been Izzy’s acquaintance.

“What do you think?” Natalia asked, tilting her head slightly as she examined the painting.

Izzy’s gaze swept over it briefly. The abstract strokes of dark blue and silver gave it a modern, chaotic feel–not something she’d personally choose.

“Contemporary paintings aren’t really my thing,” Izzy admitted, offering a polite smile.

Then a light laugh sounded from behind them.

much time in the corporate world–I suppose

pleasant enough, almost complimentary–but the meaning behind them was clear.

glances, sensing

immediately. Instead, she turned toward Pamella, her expression

if

a few things about this

can see how the brushwork emphasizes movement rather than precision. The artist, I believe, was influenced by post–war expressionism, which often

women nearby nodded, their gazes returning to the painting with newfound interest.

her fingers. “Now, this one is different,” she continued, studying the painting before her. “It’s reminiscent of Luminism, though with a modern twist. See how the artist manipulates light? The soft gradients and blended edges draw

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Chapter 169

use of harsh lines.”

in slightly, absorbing her explanation.

rather than a landscape. The result?” She gestured toward the painting, her gaze sharp. “A piece that evokes warmth and nostalgia without depicting anything concrete. It forces the viewer to project their own emotions

who had merely glanced at the painting before now took a closer look, nodding

satisfied, took a slow sip of her champagne and glanced briefly at Izzy as if

or challenge her. Instead, she simply smiled and gestured toward another painting

one?” Izzy asked, tilting her

“is a prime example of Surrealist Minimalism. Unlike

toward the painting, which depicted a lone figure with elongated limbs, half–fading into a monochrome background. “The absence of excessive detail forces the observer