Remarry My 116
Chapter 116 A Melody of Freedom.
Chapter 116 A Melody of Freedom
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Melody hung up the phone and continued absentmindedly working on her iPad, laying down one musical note after another for the arrangement.
She had already read the script for The Royal General.
The story wasn't just about martial conflicts and personal vendettas-it had a strong underlying theme of female empowerment.
When composing the lyrics and melody, she made sure to weave this core theme into the song's arrangement, making it align with the message of the story.
She titled the theme song Riding the Wind, where "riding" carried the meaning of "mastering" or "controlling."
To fully understand the essence of the characters, she had read the entire novel before composing the song and doing the voice work.
The novel's popularity made sense-especially in a film industry filled with shallow, cookie-cutter scripts.
Most storylines today were either focused entirely on romance or filled with constant battles. Whenever the male and female leads had a personal vendetta, they'd want to destroy everything and take everyone else down with them. It had become such a cliché that fans online couldn't help but joke: "As one of the common. people in this world, it really sucks!
"You're constantly being collateral damage in the main couple's love story!"
Audiences had been poisoned by bad dramas, so much so that over time their standards had. lowered, and they'd become more tolerant of low-quality content.
As a result, fewer directors were willing to take the risk of making high-quality shows.
That's why the release of The Royal General this year was such a test. Could it break through the stale mold? Could it prove that audiences were still hungry for real quality?
directors might finally stop feeding the audience
the original novel, "wind" symbolized three things. First, it represented the male
male and fernale leads had to navigate, mastering the challenges or "riding the wind."
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families, and the oppressive societal customs that shackled women- forcing them to uphold hollow ideals of virtue. Each of these winds carried bloodshed, poisoning society in ways that couldn't always be seen but were felt by
was a swordswoman who broke free from the chains of
to roam
once been a noblewoman, confined by
lead sparked in the midst of solving mysterious cases together, but both held back their growing
male lead was in a position of power and couldn't fully empathize with a woman's struggles, even if they worked
together, Camelia would once again find herself trapped in the rigid, suffocating world of noblewomen, forced to
a noble title-had to think of his
he was, his duty to
realistic style of the original novel didn't try to shochorn modern ideals of "one life, one
traditions, the atmosphere grew darker as the story
could escape the fate of being bound by the "wind" that ultimately turned into
end of the story, the male lead stared at Camelia, still dressed in plain clothes, though. her beauty was undeniable. "The world
heir's wife was clearly the best option
world, the heavier the
be confined within the walls of their homes, untouched by life's trials, then why bother with plum blossoms that bloom in the bitter cold? Why not only plant fragile,
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male lead's gaze flickered, as if he were trying to grasp an elusive "wind." "Camelia, where will you
her back to him, waving casually as she walked away. "I'll ride the wind, asking no one where it
me."
The Royal General
alone through the night-slender
of ending rarely seen in
Always Been Yours Chapter 116
Tessa fell into a trap and had to give birth and then never see her baby again. Five years later she meets a boy adopted by Nicholas, whose mother's hunch makes Tessa fall in love with him. Will Tessa find her baby? And what will the story be?
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Always Been Yours (Tessa and Nicholas) Chapter 116
Always Been Yours novel Chapter 116